Author Archives: Paul
One of the joys of watching The Twilight Zone is hearing Rod Serling’s voice come on as the story wraps up, giving us a wry comment, a stern rebuke, or some other fitting remark. And you can count on him saying “the Twilight Zone,” often after a perfect little pause.
At least most of the time you can count on that. In fact, there are seven episodes that don’t use the phrase at all. That leaves 149 where he does say it, so these seven are clearly the exception to the rule.
That begs a logical question for uber-fans such as myself: Which ones are they?
Many fans know one off the top of their heads: Season 4’s “He’s Alive,” in which Dennis Hopper plays a neo-Nazi. But they can seldom name another. And although I was able to name some others myself without going down the list of episodes, I wasn’t sure I was getting all of them.
So I decided to check it out and make it official. (Spoilers ahead!) Here, in chronological order, are the episodes with no mention of “the Twilight Zone” at the end, along with the ending narration:Read the rest of this entry
Having a Twilight Zone marathon to close out a year like 2020 almost feels redundant. There’s nothing like a global pandemic to make you feel like you’re already knee-deep in the fifth dimension.
And yet, paradoxically, I don’t think we’ve ever needed the comfort of The Twilight Zone more than we do right now.
It can be a scary place, no question. And yet it’s also a land of redemption and wonder — a universe filled with imaginative twists and thought-provoking morals. And hey, when bad things happen, at least they’re happening to fictional characters, and not you!
So if you’re inclined to tune in the Syfy channel to ring out the old and ring in the new with Rod Serling’s brainchild, you’re in luck. Sure, the marathons have their drawbacks (the cuts, the ads, etc.). But for me and for so many other fans, the pros outweigh the cons.
I’d like to thank the good people at Syfy who supplied me with this list ahead of time. This is a first-look exclusive, my friends; it hasn’t been published elsewhere yet. So, without further ado, here’s what we can look forward to seeing this year. All times are EST:
Thursday, December 31, 2020
6:00am – Where Is Everybody?
6:30am – One For the Angels
7:00am – Mr. Denton On Doomsday
7:30am – The Sixteen-Millimeter ShrineRead the rest of this entry
Pop quiz: How many of The Twilight Zone‘s 156 episodes did Rod Serling write?
Not many people know off the top of their heads, but I can hear some of the more diehard fans calling out, “92!” And how right you are.
So imagine my surprise when I saw someone post an item in a TZ fan group on Facebook claiming that Serling had written 99. He then added something about what an amazingly high number that was, or how much work that represented.
Hey, anyone can make a mistake. I’ve seen a lot of them over the years. So even though I wanted to set the record straight, I didn’t want to embarrass the person who did it.
That’s why, when this sort of thing happens, I try to take a light tone and not act like a jerk. A good way to do that is to mix the correction with some genuine agreement or praise, so in this case, I said something like: “Actually, it was 92. But yes, what a workhorse Serling was! It’s incredible that he was able to write so much, and such high quality.”
If that’s all there was to it, I wouldn’t even be writing this post. Most people are like, “Oh, my mistake! Thanks.” But not this guy. He was like, nope, you’re wrong. It’s 99.Read the rest of this entry
“I think that sometimes in television, scripts reach the level of literature. Often, I think, it’s junk, and stuff is just spewed out with no thought other than to get a script done. But I think sometimes it reaches the level of television literature — something that says something, something that’s lasting, something that’s worthwhile.”
The speaker: Earl Hamner Jr. The subject: Rod Serling and The Twilight Zone, for which Hamner contributed eight scripts, including such fan favorites as “The Hunt” and “Stopover in a Quiet Town”.
This quote — an excerpt from the short video below — sums up well why the Zone has endured long after many other vintage shows have faded into obscurity. Many scripts are just “spewed out”, either because of time constraints or a lack of talent. Not so on The Twilight Zone.
Hamner touches on several other interesting points in this interview, including the idea that Serling may have had a premonition of his death. It’s only about five minutes long — and if you’re a fan of Hamner’s signature series, The Waltons, get ready to hear a very familiar voice:Read the rest of this entry
TONIGHT @ 8:00 pm EST:
THE TWILIGHT ZONE AHEAD OF ITS TIME Night-Light radio show with Pop Culture Man Arlen Schumer: https://www.blogtalkradio.com/night-light/2020/11/08/the-twilight-zone-ahead-of-its-time-with-arlen-schumer
“We can feed the stomach with concentrates. We can supply microfilm for reading, recreation, even movies of a sort. We can pump oxygen in, and waste material out. But there’s one thing we can’t simulate, that’s a very basic need: man’s hunger for companionship. The barrier of loneliness. That’s one thing we haven’t licked yet.”
If those words from the first TWILIGHT ZONE episode sound uncomfortably close to the pandemic quarantining we’re all experiencing now, it’s because creator ROD SERLING (1924-75) was a true visionary, a prescient prophet of the small screen, whose many ZONE episodes dealt with the universal, timeless themes of isolation, loneliness, and solitude.
In advance of his webinar next Tuesday night via New York Adventure Club—
THE TWILIGHT ZONE AHEAD OF ITS TIME webinar Tuesday, November 10 @ 8:00pm EST; tix: nyadventureclub.com
—join Pop Culture Man Arlen Schumer tonight as he discusses how the greatest television series of the 20th Century sheds a prescient light on the global pandemic of the 21st Century.
Arlen’s call-in guests on tonight’s show:
PAUL D. GALLAGHER, creator of the blog “Shadow & Substance: Exploring the Works of Rod Serling”: thenightgallery.wordpress.com
STEVEN JAY RUBIN, author of “The Twilight Zone Encyclopedia,” available at amazon.com
You can listen to a playback here: https://www.blogtalkradio.com/night-light/2020/11/08/the-twilight-zone-ahead-of-its-time-with-arlen-schumer
Some episodes of The Twilight Zone seem to be above reproach. Like my personal favorite, “Eye of the Beholder“. Or the bittersweet, poetic “Walking Distance“. Or the one with what is surely the biggest gut-punch ending of all, “Time Enough at Last.” Who can criticize that one?
Okay, there was the post I did about how the twist feels unjust to me. But beyond that, who could say a negative word about the episode that many fans say is their all-time favorite?
Whoops. Me again.
Actually, it’s not a negative word. I can’t help loving this episode either. The writing, the acting, the directing, the set design … it’s all world-class. Truly.
But I do have a technical quibble with it.
Mind you, I’m not normally one to nitpick the Zone on such details. As I mentioned in my review of The Twilight Zone Companion, I give the show wide latitude in this area. I don’t roll my eyes if, for example, a TZ says Mars is X number of miles away, and that estimate isn’t even close. So what? TZ isn’t really a sci-fi show at heart, anyway — it’s a fantasy drama with sci-fi trappings.
But there’s a technical detail in “Time Enough at Last” that’s hard to overlook, especially because — unlike most of the show’s other gaffes — it’s crucial to the plot.
I’m talking about Henry Bemis’s glasses.Read the rest of this entry
October means Halloween to a lot of people — myself included — but it also makes me think of The Twilight Zone. I know, I know. I hardly need any encouragement, do I? And yet October is special because it’s the month that TZ premiered in 1959.
It was on October 2 of that year — at 10:00pm EST, if you want to be precise — that anyone turning to CBS saw the first episode, “Where is Everybody?” The story of an Air Force pilot who hallucinates himself into an empty town during isolation training was Stop #1 for those curious enough to explore Rod Serling’s “middle ground between light and shadow”.
So I thought I would share something fun today. It’s something Serling included in an early draft of the episode, but which was apparently never filmed: a scene in which pilot Mike Ferris steals from the town bank.
That’s right. Our fine, upstanding astronaut-to-be — a common thief!
According to the draft in volume one of “As Timeless as Infinity: The Twilight Zone Scripts of Rod Serling”, this scene occurs after the one in the movie theater. So, at least in the final episode, it’s close to the moment when Ferris is pulled from the isolation booth.
Not in this early version of the script, though.Read the rest of this entry
Finding out that Rod Serling was a screenwriter on the 1968 sci-fi classic “Planet of the Apes” often surprises his fans. And yet, as soon as they think of that legendary shock ending, it makes perfect sense.
Note, however, that I said “a” screenwriter. Although he was the first to begin the hard work of adapting Pierre Boulle’s 1963 novel to the big screen, he would not be the only one.
That’s certainly not because the producers were unhappy with his work. Far from it. Serling worked on several drafts in the mid-1960s before bowing out of the project.
And even though the final product bears numerous changes, the basic story — including, yes, the ending — is the same. And we can thank Serling for that.
The history of how “Planet of the Apes” went from page to screen is a long and complicated one. It’s not my intention to delve into that here. It could fill a book all its own, frankly.
My focus is simply what would interest just about any fan of Serling and this famous film franchise: What if they had filmed Serling’s version with none of the changes made by screenwriter Michael Wilson? Read the rest of this entry
I’ve written before about what a great sense of humor Rod Serling had. But one thing I didn’t mention was how much he enjoyed practical jokes. Don’t let his serious expression fool you!
Here’s one of my favorite stories, courtesy of Marc Scott Zicree’s The Twilight Zone Companion. It occurred shortly after the first broadcast of one of the most iconic episodes of the whole series, Richard Matheson’s “Nightmare at 20,000 Feet”. According to Serling:
Matheson and I were going to fly to San Francisco. It was like three or four weeks after the show was on the air, and I had spent three weeks in constant daily communication with Western Airlines preparing a given seat for him, having the stewardess close the [curtains] when he sat down, and I was going to say, ‘Dick, open it up.’ I had this huge, blown-up poster stuck on the [outside of the window] so that when he opened it, there would be this gremlin staring at him.
So what happened was, we get on the plane, there was the seat, he sits down, the curtains are closed, I lean over and I say, ‘Dick —’ at which point they start the engines and it blows the thing away. It was an old prop airplane… He never saw it. And I had spent hours in the planning of it. I would lie in bed thinking how we could do this.
Can you even imagine what Matheson’s reaction would have been? What a great gag. It’s too bad it backfired, though I’m sure he and Rod had a lot of laughs long after that day, just recalling the attempt. Read the rest of this entry
I know the fifth dimension can be a confusing place. But sometimes I hear from fans who don’t even seem to know what the heck happened in a particular episode of The Twilight Zone.
I bring this up because every now and then I hear an alternative theory about Season 1’s “A World of Difference” by Richard Matheson. In it, we meet a man (played by Howard Duff) who’s acting in a movie — only he doesn’t see it that way.
In the opening scene, he’s astonished to discover a film crew next to his business office. (It’s very cleverly filmed, as I discuss in this post.) He insists that he’s not this Gerald Raigan they keep telling him he is. No, he insists, he’s a man named Arthur Curtis — and he has no idea who any of them are!
That earns him some strange looks. Curtis is the part he’s playing in the movie, so everyone around him thinks he’s gone crazy. The bulk of the episode shows him frantically trying to prove that his wife and his agent are wrong — that he really is Arthur, not Gerald (or Jerry, as he’s usually referred to in the episode).
Once we see how unhappy Jerry’s personal life is, though (his ex-wife, Nora — played by Sean Penn’s mother, Eileen Ryan — angrily vows to “bleed” him dry or have him jailed), it all makes sense. He really is Gerald, but his mind has snapped. He’s assumed the identity of Arthur, who has a nice job, a supportive secretary, and a loving wife. Read the rest of this entry