I’ve written about Twilight Zone’s writers. I’ve written about its directors. So how about TZ’s only writer-director?
I’m referring to Montgomery Pittman. Don’t know him? I can guarantee you know his work. That is, if you’ve heard of a TZ episode called “Will the Real Martian Please Stand Up?”
No, Pittman didn’t write that one. Everyone’s favorite extra-terrestrial whodunit was penned by the incomparable Rod Serling, of course. Pittman also directed one other TZ ep scripted by a writer other than himself (Charles Beaumont’s “Dead Man’s Shoes”).
But the other three episodes he helmed were his own stories — memorable tales that many TZ fans list among their all-time favorites:
Season 3, Episode 1 – September 15, 1961
At a time when TV scripts tended to be pretty talky (many early TV writers, after all, had gotten their start in radio, Serling included), this near-silent look at the aftermath of what appears to have been an all-out nuclear war shows the power of pictures. An American male soldier and a female Russian one somehow manage to put aside their suspicions and find peace amid the rubble.
For anyone who thinks of Charles Bronson only as a violent vigilante in “Death Wish”, or of Elizabeth Montgomery as a button-cute witch in “Bewitched”, this episode is an eye-opener. Pittman showed they were capable of much more.
Henry Bemis and his all-too-breakable eyeglasses? Check. Talky Tina? She was there. Agnes Moorehead, battling two tiny aliens who crash-land on her roof? Front and center. A gremlin on an airplane wing? He flew in just for the occasion.
Yes, the roster of fifth-dimension All-Stars was long at the Syfy channel’s annual two-day Twilight Zone marathon this New Year’s. From the tension-filled houses on Maple Street to the lush cornfields of Peaksville, Ohio, hardly anyone missed the festivities.
But although the schedule was packed with fan favorites, a few gems were conspicuously absent. We all would have been better served if replacements for clunkers such as “What’s in the Box” and “Caesar and Me” had been pulled from the following list:
Season 1, Episode 21 – February 26, 1960
Parallel planes. Disappearing doppelgängers. It’s a metaphysical mind-trip of the first order, one that definitely deserved a spot on Syfy’s schedule. I’m blaming Vera Miles’s wily twin for making this classic vanish from the marathon. Read the rest of this entry
Recently I was contacted by a reporter working on an article about the latest release of The Twilight Zone on DVD. We talked about many aspects of the show, but the first thing he asked was why I thought it continues to have such lasting appeal.
It’s a fair question. I mean, it’s been 50 years! TV shows come and go by the truckload. In an age of digital streaming and CGI wonders, what accounts for the popularity of some black-and-white series that premiered back when Dwight Eisenhower was president?
There are many ingredients you can point to: the acting, the photography, the twist endings. And quite rightly; TZ was a first-class affair from top to bottom. Read the rest of this entry
“This is a series for the storyteller, because it’s our thinking that an audience will always sit still, and listen [to], and watch a well-told story.”
That quote by Rod Serling is from a short film made in 1959 to interest potential sponsors in buying ad time on a brand-new series called The Twilight Zone. It’s a telling remark — one that, I believe, offers a key insight into why the show succeeded, even beyond Serling’s expectations. It helps us understand why the show still appeals more than 50 years later.
In short, Serling had the formula correct from the start: tell a good story.
Think of an episode like a wheel. There is acting, directing, music, special effects. All of those elements are important, but they’re like the spokes of the wheel. They won’t work unless they’re attached firmly to something strong and well-structured: a hub. Read the rest of this entry
It was one of Jonathan Winters’ best roles — and he played it straight as an arrow. Talk about The Twilight Zone.
The episode was “A Game of Pool.” It also starred Jack Klugman, who would eventually appear in four episodes (a streak matched by Burgess Meredith, another Zone veteran). Seeing Winters and Klugman act and react in this two-man, one-set show gives this episode special appeal.
Having a terrific script helps. Good Zone eps always boiled down to the writing. An intriguing story, cleverly written and engagingly acted — a formula that’s simple to understand, but hard to execute. In this case, it wasn’t Rod Serling but George Clayton Johnson (“Kick the Can,” “Nothing in the Dark,” among others) who wrote the words.
But that doesn’t mean he was wild about ALL the words that wound up in the final product. Read the rest of this entry