Have you watched Black Mirror? Heard it described as a modern-day Twilight Zone?
For reasons I explained in a previous blog post, I can’t quite agree. Yes, they’re both trippy anthology series that take a hard look at the human condition. But there are some basic differences that — for me, at least — make the comparison ring hollow.
But I’ve said my piece. I’m bringing up Black Mirror today for a different reason. I’m writing this not so much for my fellow Serling fans as I am for anyone who’s watched Black Mirror, but not The Twilight Zone (or perhaps watched it a long time ago) and who’s wondering if some black-and-white series from the 1960s is worth checking out.
So my purpose here is simple: to recommend a few episodes that I think you, as a fan of Black Mirror, will enjoy — or at least find interesting. So without further ado … Read the rest of this entry
“Where am I? What is this, some kind of a joke or something? I don’t know you. I don’t know any of you!” — TZ’s “A World of Difference”
Such confusion can be fun when we’re enjoying a story from the fifth dimension. After all, reality can be boring … except, of course, when it comes to behind-the-scenes info about The Twilight Zone itself. Not all surprises took place in front of the camera.
The Twilight Zone without Rod Serling’s voice? Unimaginable. Yet it almost happened.
It was only at the last minute that Serling stepped in and recorded the narration that would introduce millions of viewers to that elusive fifth dimension. Up until then, it was going to be Westbrook Van Voorhis, a very well-known announcer at the time. Oh, and there was an extra dimension:
A sixth dimension? Producer William Self explains:
I said, “Rod, what is the fifth one?” He said, “I don’t know. Aren’t there five?” I said, “I can only think of four.” So we rewrote and rerecorded it and said, “There is a fifth dimension beyond that which is known to man…”
I have news for you, ladies and gentlemen. I have discovered that … people are alike all over.
Fortunately, I’m not saying that from behind the bars of an interplanetary zoo. No, the resemblance I’m referring to is much more benign than a penchant for treating other races as if they were a species to be gawked at.
I’m talking about a love for the works of Rod Serling, and more specifically, his landmark TV series, The Twilight Zone. It’s been exactly three years since I began hosting the Night Gallery Twitter page, and if there’s one thing I’ve learned over the last 1,096 days, it’s that you can find Serling fans everywhere.
Men and women, adults and children, from every race, creed and color you can imagine. People from every spot on the political and religious spectrums. Individuals who would never talk to each other in “real life” follow this page, united in a love for the work of one of the 20th century’s most beloved writers. Read the rest of this entry
The Twilight Zone launched its second season on Sept. 30, 1960, with an episode that — thematically, at least — echoed the Season 1 opener: “Where Is Everybody?”
In “King Nine Will Not Return,” we meet Capt. James Embry, a World War II pilot who awakens to find himself in a desert. Beside him lies the wrecked fuselage of the King Nine, a bomber that shows no sign of its crew anywhere.
Embry seems to recall that he crashed while on a mission with his men, only … where are they? (If you haven’t seen the episode, check it out via DVD/Blu-ray, Netflix streaming, Hulu (embedded below), iTunes or Amazon Video before I divulge the ending here.)
“King Nine” is largely a one-man show, and Bob Cummings carries it admirably. As Embry, we see him go from surprise, to bewilderment, to giddiness, to anger — and back again. It’s easy to believe that we are, in fact, watching a man slowly losing his mind as he struggles to understand what’s happening.
A radio crackles to life, then falls dead. His men appear and disappear. At one point, he sees jet aircraft flying overhead. He realizes that, although jets didn’t exist during World War II, he knows what they are. How can that be? Read the rest of this entry
Where did Rod Serling get the idea for the Twilight Zone pilot, “Where Is Everybody?”
Like many good stories, it came from more than one source. In this case, Serling had been reading about real-life isolation experiments being conducted on astronaut trainees in the then-fledgling U.S. space program. Add to that two personal experiences:
I got the idea walking through an empty village set at the back lot of a movie studio. There was all the evidence of a community … but no people. I felt at the time a kind of encroaching loneliness and desolation and a feeling of how nightmarish it would be for a man to wind up in a city without inhabitants.
The second experience occurred when he found himself in an airport phone booth. “I heard the loudspeaker,” he later recalled. “I started to push on the door, and I couldn’t get out, and I got panicky. I started to yell at people, ‘Could you do this?’ Suddenly some guy comes along and kicks it with his foot. I wanted to die.”
Twilight Zone fans will recognize this incident as the inspiration for the scene in which Earl Holliman, playing astronaut Mike Ferris, can’t get out of the phone booth in the empty town square. (Of course, he had no one around to ask for help.)
Leave it to Serling to blend these elements into a memorable opening for The Twilight Zone.
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Hope to see you in some corner of the fifth dimension soon!
Aliens. Monsters. Talking dolls. Time travel. Space flight. Alternate universes. Nuclear annihilation.
Over its five-year run, the Twilight Zone took viewers to a wide array of times and places, entertaining them with some wildly imaginative and entertaining tales. But it all started with a man walking around an empty town and wondering … well, to quote the title, “Where Is Everybody?”
It served as an ideal introduction to Rod Serling’s fifth dimension. Greater episodes lay ahead, but this story of a military test pilot who finally cracks after spending two and a half weeks alone in an isolation booth put viewers on notice — without getting too trippy — that this was no ordinary series.
A likable protagonist with a problem? Check. A situation that is familiar yet strange? Check. A clever twist at the end? Check. Welcome, ladies and gentlemen, to that “middle ground between light and shadow.” Fun, isn’t it?
In one respect, the episode turned out to be atypical — the story it depicts could happen. The odd circumstances all occur in the mind of a hallucinating astronaut, who, as it turns out, is doing something perfectly normal, especially for 1959: preparing himself for the rigors of space travel. Viewers could relate, and yet Serling subverted their expectations just enough to create an entertaining yarn.