“Please allow me to introduce myself,” goes the opening line of “Sympathy for the Devil.” An introduction is especially important if you’re a Twilight Zone fan. After all, the fifth dimension is home to no fewer than four different people claiming to be the Prince of Lies.
But which Beelzebub is best? That’s up to you. Not that it’ll be an easy choice. Each performance is a solid one, making this a diabolically difficult decision. In chronological order, we have …
Thomas Gomez (“Escape Clause” — November 6, 1959)
He may be going by the name “Cadwallader,” but when his newest
sucker client says, “You’re the Devil,” Gomez’s character gives a wicked grin and replies, “At your service.” You want immortality? Just sign the dotted line, relinquish your soul … and enjoy. Read the rest of this entry
“From a science-fiction standpoint, space has been conquered.”
I did a double-take when I read that sentence. Michael Doran, managing editor of the pop-culture site Newsarama, was theorizing why the producers of the new Fantastic Four movie decided to drop the original space-based explanation of how the quartet gained its powers.
In other words, we may have more to explore in real life, but a space setting in science fiction? Been there, done that.
He may be onto something, but I’m glad to say I’m not that jaded. Maybe if I immersed myself more in the genre, I’d feel differently, but space still has a pull on my imagination. And I think it always will. Read the rest of this entry
Imagine James Bond in The Twilight Zone. Hard to do, isn’t it? Even if you enjoy both, spy thrillers and sci-fi/fantasy stories blend about as well as tuxedos and tennis shoes.
Yet with a new Mission: Impossible movie hitting movie theaters, it’s worth highlighting the one episode of The Twilight Zone that inhabits the cloak-and-dagger world: “The Jeopardy Room” — and pointing out the surprising fact that it developed from a premise that Rod Serling had for a whole new series about spies.
His proposal to CBS in 1963 (in the wake of the hit James Bond movie “From Russia With Love”) described a show simply titled The Chase. Serling wanted it to focus on a secret government agency, directed by a Bondian spy named McGough, that would handle sensitive “international involvements”.
McGough would be a “quiet, taciturn, unheroic kind of man — calculating, predatory, and deadly efficient because the nature of his job requires these traits and nothing more,” Serling wrote. He continued: Read the rest of this entry
Space travel, as any Twilight Zone fan can tell you, obviously held keen interest for Rod Serling. Stories about what would happen if we went Up There, or aliens came Down Here, cropped up throughout the entire run of the hit series.
Tantalizingly enough, Serling’s plans for Season 6 pointedly mentioned his interest in featuring more outer-space tales. Alas, it was never to be. And by the time man landed on the moon in 1969, Serling was focused on bringing a trilogy of horror stories to TV. Only one teleplay in the entire run of “Rod Serling’s Night Gallery” dealt with space travel.
So a nice surprise awaited me several years ago when I bought a used copy of the first “Night Gallery” book (“Night Gallery 2” followed a year later). Then out of print, this paperback boasted prose versions of some of Serling’s screenplays from the first season, so I was naturally eager to see how he transitioned them to the printed page. Read the rest of this entry
“The zenith of this film is when he meets his mother and father,” Serling once said of “Walking Distance,” a true Twilight Zone classic. “That’s when everything explodes.”
Indeed it does. But for me, the nucleus of this bittersweet tale is the all-too-brief discussion Martin Sloan has with his “pop” shortly before his journey back in time concludes. So as a Father’s Day tribute, I’d like to bring you that touching scene:
MR. SLOAN: Yes, I know. I know who you are. I know you’ve come from a long way from here. A long way and a long time. But I don’t understand how or why. Do you?
MR. SLOAN: But you do know other things, don’t you, Martin? Things that will happen.
MARTIN: Yes, I do. Read the rest of this entry
Anyone who’s perused my list of least-favorite Twilight Zone episodes knows I don’t really care for “Cavender is Coming,” in which Carol Burnett stars as a bumbling young lady in need of a guardian angel. But I can’t deny the charm of these behind-the-scenes pictures of her with Rod Serling.
I think it’s because they underscore a lesser-known facet of Serling’s personality: his sense of humor. As any TZ fan will tell you, part of the appeal of the series is hearing him, on-screen and off, addressing us in his famous tight-lipped way, grimly confiding the fate of that episode’s protagonist.
He was so chillingly effective at telling us how stories unfolded “… in the Twilight Zone” that it’s easy to be surprised when we learn how much he enjoyed a good joke. Read the rest of this entry
Those of us who weren’t alive when President John F. Kennedy was assassinated in 1963 know what a horrendous and brutal crime it was. But it can be hard for us to grasp just how deeply this tragic event shocked the nation.
Leave it to Rod Serling to put it into perspective for us. As his daughter Anne once noted on her blog:
“After President Kennedy’s assassination, my father wrote something perhaps intended as a letter to a newspaper or magazine editor. It was written on his letterhead and clearly typed by him, not his secretary.” It read:
Read the rest of this entry
I know a lot of Twilight Zone fans (big surprise, right?), and many of them are excited about the fact that May 11 is “Twilight Zone Day.”
I guess you can tell from that opening that I’m not really one of them, right?
Not that I mind it. How could I? This blog, after all, along with the Twitter page that preceded it, is dedicated to the fifth dimension. I’m always happy for an excuse to fan over what I consider the most entertaining and thought-provoking TV series of all time.
And yet … the May 11 thing kind of annoys me. Read the rest of this entry
You’ve surely gotten the memo by now. As a fan of The Twilight Zone, you’re supposed to be head over heels for Black Mirror.
Over the past few months, I’ve read hundreds of tweets like this. I have a column in TweetDeck for mentions of TZ, and for a while there, hardly a day went by without someone exulting over Black Mirror — which, fans assure us, is a modern-day version of Rod Serling’s classic series.
I wish I could join the chorus. Some people enjoy being contrary, but not me. I’d rather be here telling you it’s genius and you should watch it N-O-W. But I’ve watched the first two seasons, and I can’t. Read the rest of this entry
I recently tweeted a quote from TZ’s “Nightmare as a Child” and got this reply from a follower: “Males didn’t like this one as it had women and children in it — that`s my slightly sweeping theory.”
An interesting thought, but I have to admit, I’m not aware of any gender discrepancies when it comes to the popularity of this episode. And plenty of male viewers are big fans of “The Hitch-Hiker” and “The After-Hours,” both of which have female leads.
Many TZs are greatly admired, of course. A few are actively disliked. But there are others that sort of float in the middle, neither loved nor hated. “Nightmare as a Child” is one of them.
I’ve seen a lot of viewer feedback in the four and a half years I’ve been doing my Twitter page, pro and con, and both men and women hardly say a word about it. It almost doesn’t register. Which is a shame, really. It’s a good episode. The story is fairly intriguing, and it ends on a happy note.