Welcome, ladies and gentlemen. Please step inside. A dark and stormy night may seem ill-suited to an art tour … at least until you see the unsettling works we have in store for you.
As our founder, Rod Serling, once said, “You won’t find the works of the masters here, because in this particular salon we choose our paintings with an eye more towards terror than technique.” Our paintings and sculptures have an unmistakably sinister edge.
I know our museum is more shadow-laden than most, but don’t worry. You should be quite safe. We haven’t lost anyone yet. Well, almost no one.
So ignore the sound of that icy wind outside, as we take a closer look at 10 more Night Gallery classics (click on any title — except the first one, which isn’t available streaming — to watch it on Hulu): Read the rest of this entry
Few lessons on The Twilight Zone come through with more clarity than “be careful what you wish for.”
Want more time to read, Henry Bemis? You may want to rethink that. Hoping for a little immortality, Walter Bedeker? Check the fine print on that diabolical contract. Feeling lonely, Corry? A female robot will seem like an answer to a prayer — at first.
But sometimes TZ gave us a more literal form of wishing. In the case of “The Man in the Bottle”, we even get a genie. Too bad that didn’t mean a better result for Arthur and Edna Castle, the antique-shop owners at the center of this particular tale.
I’m not a huge fan of this episode. Oh, it’s not bad — in some ways, it’s quite good (which I’m about to get to). But it doesn’t quite stick like the more classic episodes. In a series often defined by clever twists, “The Man in the Bottle” gives us exactly what we expect. Read the rest of this entry
Think of your favorite Twilight Zone episode. Can you imagine a different approach to the story? Alternate dialogue? How about a new ending? Probably not. The best TZ scripts are so perfect, it seems as if they were conceived exactly as they were filmed.
And yet, even some of our favorite episodes went through some changes along the way. Some are fairly cosmetic, but others … well, consider how Serling originally planned to end “Will the Real Martian Please Stand Up?”
Oh, it was still the same who-is-it, everybody-perishes-but-the-two-aliens story we have now. But as I read the version of the script printed in Volume 9 of “As Timeless As Infinity: The Complete Twilight Zone Scripts of Rod Serling”, I noticed a very interesting change: Serling had planned to show us that the two aliens were actually working together.
The lead-in to that final scene is familiar: the bridge is declared safe, everyone leaves, then Ross (the impatient man late for an alleged meeting in Boston) comes back, and tells Haley, the counterman at the diner, that everyone went into the water. Read the rest of this entry
One day in 1966, Alex Haley, the author of “Roots,” entered the offices of the American Nazi Party and spoke at length with the man in charge, George Lincoln Rockwell.
No, really. That may sound like fiction, but it actually happened. Haley was there to interview Rockwell for Playboy magazine, which subsequently published the entire discussion.
You might think that Serling, a man so vehemently outspoken in his opposition to Nazism that he heaped scorn on “Hogan’s Heroes,” would be outraged that Haley and Playboy would give someone like Rockwell a public platform. If so, you’d be wrong.
“Television night tonight. I’m gonna make television for everybody.”
Little Anthony probably wasn’t thinking about The Twilight Zone when he made that announcement to his terrified family and friends. Luckily, we live in another dimension — one where we can enjoy a full slate of fifth-dimensional fun.
So if you’re planning to tune in to the Syfy Channel’s annual Fourth of July marathon, grab a glass of “Instant Smile” and peruse this year’s schedule:
July 4, 2017
12:00am – Hocus-Pocus and Frisby
12:30am – The Fugitive
1:00am – The Gift
1:30am – Black Leather Jackets
2:00am – The Long Morrow
2:30am – Once Upon a Time
3:00am – The Incredible World of Horace Ford
4:00am – Ninety Years Without Slumbering Read the rest of this entry
You know, there’s actually something of a drawback to The Twilight Zone being such a well-written series. Sometimes there are so many good lines, you can overlook a few gems.
Take a scene in my all-time favorite episode, “Eye of the Beholder“. It occurs just before the famous unveiling, so I’m not surprised it tends to be overshadowed.
The doctor has just finished explaining to Janet Tyler that if this final operation to make her beautiful isn’t successful, not to worry — she can still live “a long and fruitful life” among other people who are similarly, well, afflicted. Read the rest of this entry
I was looking through my Twitter archive the other day when I came across this:
#WhenIRuleTheWorldI will create a streaming 24-hour channel available to all with uncut, commercial-free episodes of the Twilight Zone.
— The Twilight Zone (@TheNightGallery) May 7, 2015
I still think that would be a great idea! (Big surprise, I know.) But with an important change: I’d make it an all-Serling channel, not simply an all-TZ channel.
To me, that means airing not only episodes of The Twilight Zone, but of Night Gallery and The Loner. It means broadcasting the teleplays that first brought him fame, and the movies he scripted. It means showing interviews with the people who knew him best, along with other special material that celebrates his legacy.
In short, if it’s by or about Serling, you’d find it on my channel. Read the rest of this entry
If you’re like most Twilight Zone fans, you’ve seen your favorite episodes more than once. Several times, most likely — perhaps a dozen or more for the real classics. But they never feel stale. Indeed, they seem to almost improve with each viewing.
And yet many of the episodes involve very simple stories. Name a favorite, from “Time Enough at Last” to “Eye of the Beholder“, and it’s almost guaranteed you can explain what happens in a sentence or two.
This, for me, illustrates just how creative the writers behind the show truly were. I mean, why should a couple feeding pennies into a table-top fortune teller (“Nick of Time”) turn out to be such compelling television?
Or take another fan favorite from Season 1: “The Hitch-Hiker”. Rod Serling adapted it from a radio play written by a woman named Lucille Fletcher — one that debuted almost 20 years before it became a Twilight Zone episode. Read the rest of this entry
I’ve written about Twilight Zone’s writers. I’ve written about its directors. So how about TZ’s only writer-director?
I’m referring to Montgomery Pittman. Don’t know him? I can guarantee you know his work. That is, if you’ve heard of a TZ episode called “Will the Real Martian Please Stand Up?”
No, Pittman didn’t write that one. Everyone’s favorite extra-terrestrial whodunit was penned by the incomparable Rod Serling, of course. Pittman also directed one other TZ ep scripted by a writer other than himself (Charles Beaumont’s “Dead Man’s Shoes”).
But the other three episodes he helmed were his own stories — memorable tales that many TZ fans list among their all-time favorites:
Season 3, Episode 1 – September 15, 1961
At a time when TV scripts tended to be pretty talky (many early TV writers, after all, had gotten their start in radio, Serling included), this near-silent look at the aftermath of what appears to have been an all-out nuclear war shows the power of pictures. An American male soldier and a female Russian one somehow manage to put aside their suspicions and find peace amid the rubble.
For anyone who thinks of Charles Bronson only as a violent vigilante in “Death Wish”, or of Elizabeth Montgomery as a button-cute witch in “Bewitched”, this episode is an eye-opener. Pittman showed they were capable of much more.
No list of iconic Twilight Zones is complete without “To Serve Man”. Even people who have only a passing familiarity with the series know what Michael Chambers found out when the book that gives the episode its title was translated.
Among the elements that stand out — besides that legendary twist ending, of course — are how the Kanamits look, and how they sound. Regal. Benevolent. Trustworthy.
Getting the right voice was crucial. Richard Kiel, who was filmed in such a way that he could play every Kanamit, had a chance to do it. But like David Prowse, the actor who played Darth Vader in the original Star Wars trilogy, Kiel was destined to be only seen and not heard.
“They had it in the contract that they could use someone else’s voice,” Kiel said, “but I was given a chance at it. I remember being very tired after hours and hours of makeup and filming, and I guess I didn’t do that great a job at it.” Read the rest of this entry