Watching The Twilight Zone can sometimes seem like a Rorschach test. What seems obvious to you may not even occur to someone else — and what they see can leave you scratching your head.
Case in point: “Number 12 Looks Just Like You”. This Season 5 episode deals with a future society in which everyone must undergo a “transformation” when they reach a certain age. They browse a set of pre-arranged body types, select one of these attractive models by number, and one painless operation later, presto, they look like all the other people with that number (hence the title). Ugliness is a thing of the past.
In the episode, however, one rather plain-looking girl, Marilyn, rebels. She doesn’t want a new face, a new body — or the transformed mind that goes with it. But her mother, her friends, and the others in her social circle will have none of it. They cheerfully keep chipping away at her resolve. In the end, she’s simply forced into it, but now she doesn’t mind. She’s last glimpsed excitedly admiring the fact that now looks just like her friend Valerie. Read the rest of this entry
Let’s admit it, fellow Twilight Zone fans – we’re pretty spoiled.
Want to watch an episode or two? Have at it. You can see them on DVD or Blu-ray. You can stream them on Netflix, Hulu and Amazon Prime. You can purchase them on iTunes, or through CBS’s website — anytime, day or night.
And let’s not forget good old-fashioned reruns, which are still broadcast on Syfy, Me-TV, and other smaller channels (especially at marathon time, when I invite you to join me on Twitter).
What about books? There are plenty – ones about the show, ones about Rod Serling, ones featuring stories done in the TZ vein. There’s a movie. There was a magazine. There have been two revivals so far, and there’s talk of more to come.
In short, it’s not hard to get your Twilight Zone fix. But it didn’t used to be that way. Read the rest of this entry
Welcome, ladies and gentlemen. Please step inside. A dark and stormy night may seem ill-suited to an art tour … at least until you see the unsettling works we have in store for you.
As our founder, Rod Serling, once said, “You won’t find the works of the masters here, because in this particular salon we choose our paintings with an eye more towards terror than technique.” Our paintings and sculptures have an unmistakably sinister edge.
I know our museum is more shadow-laden than most, but don’t worry. You should be quite safe. We haven’t lost anyone yet. Well, almost no one.
So ignore the sound of that icy wind outside, as we take a closer look at 10 more Night Gallery classics (click on any title — except the first one, which isn’t available streaming — to watch it on Hulu): Read the rest of this entry
Few lessons on The Twilight Zone come through with more clarity than “be careful what you wish for.”
Want more time to read, Henry Bemis? You may want to rethink that. Hoping for a little immortality, Walter Bedeker? Check the fine print on that diabolical contract. Feeling lonely, Corry? A female robot will seem like an answer to a prayer — at first.
But sometimes TZ gave us a more literal form of wishing. In the case of “The Man in the Bottle”, we even get a genie. Too bad that didn’t mean a better result for Arthur and Edna Castle, the antique-shop owners at the center of this particular tale.
I’m not a huge fan of this episode. Oh, it’s not bad — in some ways, it’s quite good (which I’m about to get to). But it doesn’t quite stick like the more classic episodes. In a series often defined by clever twists, “The Man in the Bottle” gives us exactly what we expect. Read the rest of this entry
Think of your favorite Twilight Zone episode. Can you imagine a different approach to the story? Alternate dialogue? How about a new ending? Probably not. The best TZ scripts are so perfect, it seems as if they were conceived exactly as they were filmed.
And yet, even some of our favorite episodes went through some changes along the way. Some are fairly cosmetic, but others … well, consider how Serling originally planned to end “Will the Real Martian Please Stand Up?”
Oh, it was still the same who-is-it, everybody-perishes-but-the-two-aliens story we have now. But as I read the version of the script printed in Volume 9 of “As Timeless As Infinity: The Complete Twilight Zone Scripts of Rod Serling”, I noticed a very interesting change: Serling had planned to show us that the two aliens were actually working together.
The lead-in to that final scene is familiar: the bridge is declared safe, everyone leaves, then Ross (the impatient man late for an alleged meeting in Boston) comes back, and tells Haley, the counterman at the diner, that everyone went into the water. Read the rest of this entry
One day in 1966, Alex Haley, the author of “Roots,” entered the offices of the American Nazi Party and spoke at length with the man in charge, George Lincoln Rockwell.
No, really. That may sound like fiction, but it actually happened. Haley was there to interview Rockwell for Playboy magazine, which subsequently published the entire discussion.
You might think that Serling, a man so vehemently outspoken in his opposition to Nazism that he heaped scorn on “Hogan’s Heroes,” would be outraged that Haley and Playboy would give someone like Rockwell a public platform. If so, you’d be wrong.
If you’re like most Twilight Zone fans, you’ve seen your favorite episodes more than once. Several times, most likely — perhaps a dozen or more for the real classics. But they never feel stale. Indeed, they seem to almost improve with each viewing.
And yet many of the episodes involve very simple stories. Name a favorite, from “Time Enough at Last” to “Eye of the Beholder“, and it’s almost guaranteed you can explain what happens in a sentence or two.
This, for me, illustrates just how creative the writers behind the show truly were. I mean, why should a couple feeding pennies into a table-top fortune teller (“Nick of Time”) turn out to be such compelling television?
Or take another fan favorite from Season 1: “The Hitch-Hiker”. Rod Serling adapted it from a radio play written by a woman named Lucille Fletcher — one that debuted almost 20 years before it became a Twilight Zone episode. Read the rest of this entry
I’ve written about Twilight Zone’s writers. I’ve written about its directors. So how about TZ’s only writer-director?
I’m referring to Montgomery Pittman. Don’t know him? I can guarantee you know his work. That is, if you’ve heard of a TZ episode called “Will the Real Martian Please Stand Up?”
No, Pittman didn’t write that one. Everyone’s favorite extra-terrestrial whodunit was penned by the incomparable Rod Serling, of course. Pittman also directed one other TZ ep scripted by a writer other than himself (Charles Beaumont’s “Dead Man’s Shoes”).
But the other three episodes he helmed were his own stories — memorable tales that many TZ fans list among their all-time favorites:
Season 3, Episode 1 – September 15, 1961
At a time when TV scripts tended to be pretty talky (many early TV writers, after all, had gotten their start in radio, Serling included), this near-silent look at the aftermath of what appears to have been an all-out nuclear war shows the power of pictures. An American male soldier and a female Russian one somehow manage to put aside their suspicions and find peace amid the rubble.
For anyone who thinks of Charles Bronson only as a violent vigilante in “Death Wish”, or of Elizabeth Montgomery as a button-cute witch in “Bewitched”, this episode is an eye-opener. Pittman showed they were capable of much more.
No list of iconic Twilight Zones is complete without “To Serve Man”. Even people who have only a passing familiarity with the series know what Michael Chambers found out when the book that gives the episode its title was translated.
Among the elements that stand out — besides that legendary twist ending, of course — are how the Kanamits look, and how they sound. Regal. Benevolent. Trustworthy.
Getting the right voice was crucial. Richard Kiel, who was filmed in such a way that he could play every Kanamit, had a chance to do it. But like David Prowse, the actor who played Darth Vader in the original Star Wars trilogy, Kiel was destined to be only seen and not heard.
“They had it in the contract that they could use someone else’s voice,” Kiel said, “but I was given a chance at it. I remember being very tired after hours and hours of makeup and filming, and I guess I didn’t do that great a job at it.” Read the rest of this entry
No wonder The Twilight Zone is such a classic. Most of the time, you were getting scripts written by the master himself, Rod Serling. And when it wasn’t him, it was often someone like Richard Matheson.
So I hardly think it’s a coincidence that “Third From The Sun” is such a highly rated episode. After all, you have the talents of both men at work here.
That’s not to say they collaborated in the conventional sense. I mean that, as he did with “And When The Sky Was Opened“, Serling adapted one of Matheson’s short stories.
He took the title and the basic idea — and added all the usual Serling touches to turn it into a Zone classic. As Stephen King later said of what was only the 14th episode of the first season, “It marks the point at which many occasional tuners-in became addicts.”
(Spoilers ahead, naturally. The episode can be watched on Netflix, Hulu and Amazon Prime. It’s also on DVD and Blu-ray.)
Matheson’s story, which had first appeared in the October 1950 issue of Galaxy, is a marvel of economy. Virtually no extraneous details decorate this taut tale of a man and wife (and neighbors) determined to make their getaway from a world on the brink of all-out war.