Category Archives: Night Gallery
You don’t have to be the world’s greatest writer to pen an effective script about the evils of prejudice. But to do it in a witty, inventive way? To create a story that really makes you think, that stays with you long after it’s over?
Leave that to Rod Serling. Exhibit A: Night Gallery’s “Class of ‘99”. It’s a shame this story isn’t better known, because it’s one of his best works. And I don’t say that lightly.
If you haven’t seen it before, I’d fix that ASAP. It’s not long — only about 18 minutes. If you have the Season 2 DVDs, it’s the third segment of the second episode. Or you can click this link and watch it on NBC.com (with a couple of ad breaks, but at least it’s uncut). Spoilers ahead, as always.
The story begins simply enough. We see college students filing into a classroom — a rather Spartan, amphitheater-type setting, rather than the usual desks — to take their final exam. The professor (Vincent Price, in the first of two Night Gallery roles) cordially wishes them good luck as they field oral questions from him.
The first few deal with the physical sciences. The students are right on top of it, supplying names and formulas with no hesitation. Then a student named Johnson is asked to name four leading experts in the last 300 years in the field of propulsion. He falters, though, on the fourth name. The professor is clearly unimpressed, but before he can ask another student for the answer, Johnson objects. Read the rest of this entry
Even if you’re not a big fan of “Rod Serling’s Night Gallery”, you have to admit: The gallery concept was pretty cool.
Watching our host walk among these bizarre canvases and shadowed sculptures as he introduces each story is a great framing device. It’s enough to make you wish there really was such a place.
There isn’t, of course, but I’m happy to tell you that we’ll soon be able to enjoy the next best thing: a glossy, hard-cover volume with high-quality reproductions of every painting that appeared on the show (and even a few that didn’t).
Titled “Rod Serling’s Night Gallery — The Art of Darkness”, it’s coming to us from Scott Skelton and Jim Benson, the same duo who over 20 years ago brought us the definitive behind-the-scenes book on the series, “Rod Serling’s Night Gallery: An After-Hours Tour“. Every work that artists Tom Wright and Jeroslav Gebr created is included. Read the rest of this entry
Where would the horror genre be without vampires and werewolves? And where would World War II stories be without Nazis? They’re staples of many chilling accounts.
Ah, but what if you could combine them all in one story? It wouldn’t have to be anything too ambitious or sprawling. One tight little tale might do the trick.
Perhaps that thought is what prompted American writer Manly Wade Wellman (1903-1986) to pen a story called “The Devil is Not Mocked”. Night Gallery fans will likely recognize the name, as it was adapted during the second season into one of the show’s more memorable short segments.
Wellman opens with a Nazi commander, General von Grunn (played by Helmut Dantine), being driven along a road in the Balkan countryside, en route to a castle that he’s been told is the headquarters of a secret resistance movement. (I love some of the cars they had in the late 1930s/early 1940s. The godforsaken Nazis did NOT deserve such fine automobiles.) He and his troops plan to take over the castle and convince the inhabitants that their rebellion is futile.
The television version begins with a different scene entirely. Gallery scribe Gene Kearney starts with a man (played by Francis Lederer) talking to his grandson. He tells the boy he’s going to relate what he did during the great world war: “For while many are the terrible charges made against our ancestors, let no man deny our patriotism.” The scene shifts, and we’re with von Grunn, moving along the road. Read the rest of this entry
Welcome, ladies and gentlemen. Please step inside. A dark and stormy night may seem ill-suited to an art tour … at least until you see the unsettling works we have in store for you.
As our founder, Rod Serling, once said, “You won’t find the works of the masters here, because in this particular salon we choose our paintings with an eye more towards terror than technique.” Our paintings and sculptures have an unmistakably sinister edge.
I know our museum is more shadow-laden than most, but don’t worry. You should be quite safe. We haven’t lost anyone yet. Well, almost no one.
In his last interview, Rod Serling said he wanted to be remembered simply as a “writer.” There’s little doubt that he achieved that. Countless authors cite him as one of their primary influences.
Yet nearly all of his fans experience his words via a TV screen, not the printed page. How many of us have enjoyed a book by Serling?
True, that wasn’t his typical medium. He was famous for dictating scripts in a hurry by the poolside, not fiddling with some florid prose in a quiet study. Small wonder that the few books he did author were out of print for years.
That changed in 2014 when Rod Serling Books republished several volumes that almost any fan of the fifth dimension will want to check out. Each one merits its own post, but today I want to focus on one that should interest any Night Gallery aficionado: “The Season To Be Wary.” Read the rest of this entry
Come in, everyone. Glad you could make it. Ready to see some lovely, flower-filled meadows? Contemplate a few peaceful, rustic landscapes?
Sorry to hear that. Because you’ve entered … the Night Gallery.
As founder Rod Serling once said, “In this particular salon, we choose our paintings with an eye more towards terror than technique.” That explains the dark, dusty halls. The chilly drafts that whistle down the corridors. The long shadows that offer numerous hiding places for … well, let’s get started. The night won’t last forever.
Perhaps you joined us on our first tour of the Night Gallery. You may have even tagged along for round two. If so, I can understand why you’re glancing around nervously. But remember, fright doesn’t always take a familiar form. Tonight’s selections prove that there is as much to dread in the brightest day as in the darkest night.
So without further ado, here are 10 more sinister selections for your enjoyment (click on any title to watch the episode it’s part of on Hulu): Read the rest of this entry
Space travel, as any Twilight Zone fan can tell you, obviously held keen interest for Rod Serling. Stories about what would happen if we went Up There, or aliens came Down Here, cropped up throughout the entire run of the hit series.
Tantalizingly enough, Serling’s plans for Season 6 pointedly mentioned his interest in featuring more outer-space tales. Alas, it was never to be. And by the time man landed on the moon in 1969, Serling was focused on bringing a trilogy of horror stories to TV. Only one teleplay in the entire run of “Rod Serling’s Night Gallery” dealt with space travel.
So a nice surprise awaited me several years ago when I bought a used copy of the first “Night Gallery” book (“Night Gallery 2” followed a year later). Then out of print, this paperback boasted prose versions of some of Serling’s screenplays from the first season, so I was naturally eager to see how he transitioned them to the printed page. Read the rest of this entry
When the sad news of Leonard Nimoy’s death broke last week, images of Spock were everywhere. And why not? Everybody’s favorite Vulcan is one of the most beloved characters in television history.
But as the custodian of “Shadow & Substance,” I couldn’t help but think of Nimoy’s work in the Serling-verse.
There wasn’t much, alas. The Twilight Zone preceded his break-out role in Star Trek by a few years. But if you’ve ever seen the Season 3 war-themed episode “A Quality of Mercy,” you may have recognized the actor playing Hansen, one of the American soldiers.
“I was only in that briefly, but my memory of it is [working with] Dean Stockwell and Albert Salmi,” Nimoy later recalled. “We were in a war-time situation, and it was a kind of fantasy story, which isn’t a common combination. It was a good episode.” Read the rest of this entry
An art gallery may strike you as an odd place to spend Halloween … at least, until you see the paintings hanging in the Night Gallery.
“If you seem to sense an aura of cold dampness that permeates this room, attribute it not to either defective air conditioning or inclement indoor weather,” Rod Serling once said. “It’s simply because this is rather a special place with special statuary and special paintings, and they carry with them a coldness that seems to go best in a crypt.”
Most museums turn up the lights so you can see the paintings in detail. But once you see the canvases on display here, I think you’ll be grateful for the many shadows that line the hallways.
Long before “Jaws”, “Close Encounters of the Third Kind” and “Raiders of the Lost Ark” made him a household name, Steven Spielberg was just another unknown director with hopes for fame and fortune. And the first step toward that goal took him through a shadowy museum known as … Rod Serling’s Night Gallery.
The pilot movie, to be specific. The 21-year-old director would helm the middle segment of three dark-edged tales written by Serling himself. It premiered on November 8, 1969, and was a ratings success, leading to the Night Gallery series a year later.
While Spielberg was a novice, however, his star was anything but. The part of Claudia Menlo, the predatory blind dowager in “Eyes,” was to be played by none other than Joan Crawford.
Crawford, then 65, had already starred in more than 90 feature films, dating back to the silent era. “Directing Joan Crawford was like pitching to Hank Aaron your first time in the game,” Spielberg later remarked. Read the rest of this entry