The Twilight Zone has a pretty straightforward moral code. The evil are punished. The proud are humbled. The good are rewarded. The forgotten are remembered.
True, there are some exceptions. “Time Enough at Last,” for example, appears to be a prime instance of Fate punishing an innocent. The earthlings in “To Serve Man” did nothing to merit becoming “an ingredient in someone’s soup.” But by and large, you deserve the ending you get.
And then there’s “The Sixteen-Millimeter Shrine”.
It’s the earliest example in TZ of someone yearning for the past. It aired just before “Walking Distance”, which explored this theme so beautifully that it inevitably overshone its predecessor.
But Shrine‘s problem isn’t merely standing in the shadow of “Walking Distance”. I think this episode fails to really resonate with fans because the main character, Barbara Jean Trenton (played by the amazing Ida Lupino, who would later direct TZ’s “The Masks”), is a hard figure to sympathize with.
What would The Twilight Zone be without its twist endings? Still one of the most well-written, thoughtful series that ever aired, of course! But Rod Serling and company obviously made their points more effectively by using irony and surprise.
So I always try to give spoiler warnings when I write about the endings to certain episodes. I know — it’s a legendary series that debuted over 50 years ago, so who doesn’t know how they end?
Actually, a lot of people. Think about it — new fans are born all the time. I came along well after “Psycho” was a new movie, but I would have enjoyed seeing it without the ending spoiled. It must have been fun to see it when you didn’t know.
All of which is a slightly long-winded way of saying “spoiler alert”! Especially because I want to discuss, briefly, the ending to “The New Exhibit”, which aired during TZ’s lesser-known 4th season (the one with the hour-long episodes) — and ask you to vote on it. Read the rest of this entry
Imagine you found yourself transported back in time to December 6, 1941. It’s the day before Japan bombed the U.S. naval base at Pearl Harbor in Hawaii.
There you are, near the attack site, surrounded by people who have no idea what the next day will bring. Can you warn them without sounding crazy?
That’s the dilemma Pete Jenson faces. He’s been dreaming every night that he’s back there … only it’s not a dream, he tells his psychiatrist. He’s really going back.
Sound like a plot stolen from a Twilight Zone episode? Not exactly. I’m describing “The Time Element”, an episode of CBS’s Desilu Playhouse. It aired on November 24, 1958, the year before TZ debuted. And it was written by Rod Serling. Read the rest of this entry