Category Archives: Twilight Zone
It’s a question I hear fairly often from Twilight Zone fans: Why doesn’t Netflix stream Season 4 of The Twilight Zone?
You click the drop-down menu, and you see Seasons 1, 2, and 3 listed … and then 5. What gives?
I’ve seen a lot of guesses on Facebook and head-scratching on Twitter, so let’s just cut to the real reason. It’s not because Netflix couldn’t get the rights to Season 4 or anything like that. It’s simply that they don’t want to pay for what is arguably TZ’s least-popular season.
Season 4, for those who aren’t already aware, is when The Twilight Zone began producing hour-long episodes. Eighteen of them (about half the length of a typical season back then) aired between January 3, 1963 and May 23, 1963. For Season 5, TZ reverted to the half-hour format that had served it so well during its first three seasons.
Whether you’re a fan of Season 4 or not (opinions vary widely in the Zone community), even those who like at least some of the hour-long episodes can’t deny that TZ was best-suited to the shorter-running time. It’s the 30-minute tales that are seared in our memory. So that’s what Netflix has decided to pay for.
For that to make sense, it’s important to know that streaming providers who want to carry a particular series have to pay a licensing fee to the owners of that series in order to do so. In the case of The Twilight Zone, the owner is CBS. So if Netflix, Hulu, or Amazon Prime want to stream TZ, they must pay what is, in essence, a rental fee to CBS. Both sides negotiate a price and a time frame. When that time is up, they can extend it or end it.Read the rest of this entry
I’ve written before about what a great sense of humor Rod Serling had. But one thing I didn’t mention was how much he enjoyed practical jokes. Don’t let his serious expression fool you!
Here’s one of my favorite stories, courtesy of Marc Scott Zicree’s The Twilight Zone Companion. It occurred shortly after the first broadcast of one of the most iconic episodes of the whole series, Richard Matheson’s “Nightmare at 20,000 Feet”. According to Serling:
Matheson and I were going to fly to San Francisco. It was like three or four weeks after the show was on the air, and I had spent three weeks in constant daily communication with Western Airlines preparing a given seat for him, having the stewardess close the [curtains] when he sat down, and I was going to say, ‘Dick, open it up.’ I had this huge, blown-up poster stuck on the [outside of the window] so that when he opened it, there would be this gremlin staring at him.
So what happened was, we get on the plane, there was the seat, he sits down, the curtains are closed, I lean over and I say, ‘Dick —’ at which point they start the engines and it blows the thing away. It was an old prop airplane… He never saw it. And I had spent hours in the planning of it. I would lie in bed thinking how we could do this.
Can you even imagine what Matheson’s reaction would have been? What a great gag. It’s too bad it backfired, though I’m sure he and Rod had a lot of laughs long after that day, just recalling the attempt. Read the rest of this entry
I know the fifth dimension can be a confusing place. But sometimes I hear from fans who don’t even seem to know what the heck happened in a particular episode of The Twilight Zone.
I bring this up because every now and then I hear an alternative theory about Season 1’s “A World of Difference” by Richard Matheson. In it, we meet a man (played by Howard Duff) who’s acting in a movie — only he doesn’t see it that way.
In the opening scene, he’s astonished to discover a film crew next to his business office. (It’s very cleverly filmed, as I discuss in this post.) He insists that he’s not this Gerald Raigan they keep telling him he is. No, he insists, he’s a man named Arthur Curtis — and he has no idea who any of them are!
That earns him some strange looks. Curtis is the part he’s playing in the movie, so everyone around him thinks he’s gone crazy. The bulk of the episode shows him frantically trying to prove that his wife and his agent are wrong — that he really is Arthur, not Gerald (or Jerry, as he’s usually referred to in the episode).
Once we see how unhappy Jerry’s personal life is, though (his ex-wife, Nora — played by Sean Penn’s mother, Eileen Ryan — angrily vows to “bleed” him dry or have him jailed), it all makes sense. He really is Gerald, but his mind has snapped. He’s assumed the identity of Arthur, who has a nice job, a supportive secretary, and a loving wife. Read the rest of this entry
In The Twilight Zone’s “The Whole Truth,” a used-car salesman experiences his worst nightmare: he unwittingly buys a “haunted” car that forces its owner to be completely honest.
Uh-oh. Given the demands of his chosen profession — making people believe that every jalopy is a jewel — it’s easy to understand his distress. As he mutters to his assistant at one point: “Did you ever hear anything more ghastly?”
After all, the only way to regain the ability to lie is to get rid of the car. Since it’s preventing him from uttering even one falsehood, that’s practically an impossible task.
Imagine if you were saddled with that car and were asked an uncomfortable question. If it were mine, for example, and someone said, “How do you feel about this episode?” Hey, I can’t lie. I might hem and haw a bit, sure, but then I’d say, well, I kind of like it.
Yep. Gotta be honest!
I know, I know — it’s near or AT the bottom of the list for many fans. I get it. But I have a bit of a soft spot for this one.
Mind you, I’m not saying it’s a great episode. Not at all. It’s nowhere near my top 25. It’s one of TZ’s “comedy” episodes, and we all know how our beloved Rod Serling, despite being incredibly funny in private, wasn’t particularly adept at writing jokes. Read the rest of this entry
Can you name the first Twilight Zone episode you ever saw?
I’m a fan of many classic shows. I grew up watching reruns of I Love Lucy, The Andy Griffith Show, Leave It to Beaver, Perry Mason, Mission: Impossible … the list goes on. I still watch many of them today, in fact, either on disc or on a streaming service. But I couldn’t name the first episode I saw of any of those shows.
And yet I doubt you’ll be surprised to learn that I do recall my first Twilight Zone. Oh, yes. It was “Five Characters in Search of an Exit”.
It made quite an impression on my kid mind, as you can tell. (I was about eight, I think.) Here was a series that didn’t look or sound like anything else on television. TZ is utterly unique.
Even if you don’t recall your first TZ, you know what I mean, I’m sure. Just ask Fox Mulder. In Season 11’s “The Lost Art of Forehead Sweat,” the X-Files agent is flummoxed when someone claims that the episode Mulder recalls as his first TZ doesn’t exist. He searches feverishly through his books and VCR tapes for confirmation. Scully, as usual, doesn’t understand what the big deal is. Read the rest of this entry
It’s another rain-soaked night in town, and the usual clientele is hanging out at the Del Rio bar. The unlucky and the lovelorn are in their spots, chain-smoking and drowning their sorrows, when in walks an old man carrying a peddler’s tray.
But he’s not here to sell you just anything. This stranger claims to know what you need, not what you think you want. And whatever it happens to be, he’s offering it free of charge.
Pedott wasn’t the only one with this ability. His creator, Rod Serling, could look at a short story and know exactly what he had to do to turn it into a compelling TV story. And in the case of Lewis Padgett’s “What You Need”, he understood what was required to make it work for The Twilight Zone.
If you’ve read the entry for this episode in Marc Zicree’s The Twilight Zone Companion, you may recall that the original story “concerned a scientist who invented a machine that read people’s probable futures and who then gave them what they needed to be guided in a certain direction.”
True enough, but — as I’ve discovered in looking more closely at several other episodes that Serling adapted from the work of other writers — it’s interesting to look at what he kept and what he discarded. He retained a bit more than just the basic idea, as we’ll see. Overall, though, his changes were fairly substantial. Read the rest of this entry
If someone suggested taking a trip to the Twilight Zone, even the most diehard fan would hesitate. You mean that distorted landscape inhabited by pig-faced people, hungry aliens, and homicidal dolls? Um, hard pass on that idea.
Hold on, though. What if your trip was limited to one of the fifth dimension’s eating establishments? That’s right, I’m talking about that culinary mainstay of mid-20th century cuisine: the good ol’ American diner.
After all, The Twilight Zone began with one. The first shot of the pilot episode, “Where is Everybody?”, shows Mike Ferris walking along a dirt road. His first stop? An unnamed café.
Just check out that interior design. It screams classic, unassuming diner. I can smell the coffee and bacon already.
Naturally, there are fresh pies. A diner without pies is like a Twilight Zone episode without a twist ending.
But although it all looks inviting, the jukebox is loaded with peppy tunes, and Mike has $2.85 to spend (at a time when coffee cost 10 cents a cup), the service and the company at the “Cafe” leaves something to be desired. So let’s diner-crawl to a place all TZ fans know and love: the Busy Bee from “Nick of Time”. Read the rest of this entry
If you’re a fan of vintage TV shows and you subscribe to a streaming service, life is a bit like being in a “Friday the 13th” movie: You know just about everyone is going to get it — the only question is when.
Still, it hurts when your favorites leave. In the last week alone, I’ve seen The Outer Limits (the original and the ‘90s reboot) depart Hulu, while The Andy Griffith Show has disappeared from Netflix.
Both are included in Amazon Prime, fortunately, so I have a fallback. But even Prime has disappointed me lately. It was carrying the first season of Night Gallery (all three seasons of which used to be on Hulu until early 2019), but now even that’s gone.
A couple of other favorites, meanwhile, have gone from being free for Prime members to being something you have to pay extra for.
There are still some great old shows streaming on all three services, particularly on Hulu and Prime. And of course The Twilight Zone is on all three.
The question is, how long will it remain? I don’t know the answer to that, so I’m writing today to say that if you enjoy TZ on any streaming service, don’t take it for granted. Read the rest of this entry
Today’s post concerns a Twilight Zone episode that is absolutely legendary: “Time Enough at Last”. That’s right, the one about Henry Bemis and his all-too-fragile eyeglasses.
But I’m not writing simply to get some cheap clicks, although I’ll gladly accept them. No, I’m writing to set the record straight about poor Henry.
You may be thinking: “Set what record straight?” If so, you’re probably like most fans, who realize that our mild-mannered protagonist merits our sympathy.
Well, this may surprise you, but some fans don’t feel that way. They think Henry deserves that awful ending.
No exaggeration. Amid the chorus of pity I usually hear when I post something about this episode, a dissenting voice or two arises: someone who doesn’t feel sorry for Henry at all.
Why? Because of his anti-social behavior, they say. Henry didn’t care about humanity, so when he got his heart’s delight, karma bit him in the hindquarters. Serves you right, bookworm! Read the rest of this entry
Defending your favorite Twilight Zone episodes? Easy. Criticizing ones you don’t like? Piece of cake. Explaining why you sort of like one that’s unpopular? That’s a bit more challenging.
I’ll bet you have at least one episode you like almost in spite of itself. Sure, you’re aware that it’s not a list-topper, but something about it appeals to you anyway.
Several episodes fall into that category for me. Case in point: “The Chaser”. That’s right, the one about the love potion.
The only Season 1 episode not written by a member of that great TZ triumvirate — Rod Serling, Charles Beaumont, Richard Matheson — it focuses on the fate of a man named Roger. He’s madly in love with a beautiful young lady named Leila. Unfortunately for Roger, she barely gives him the time of day. She’s also tired of his unsolicited phone calls and flower deliveries.
But since this occurs in the fifth dimension, Roger opts for a supernatural solution. He visits an eccentric professor named Daemon (an obvious play on “demon”) who dabbles in, as he puts it, “ointments, salves, powders, sovereign remedies, nectars, lotus blossoms, toxins, tonics, anti-toxins, decoctions, concoctions, and potions.”
Despite the professor’s repeated warnings, Roger (played by George Grizzard) gets the love potion. And once under its spell, Leila does a complete 180-degree turn. She’s totally besotted with Roger now, much to his delight. Read the rest of this entry