Category Archives: Twilight Zone
Planning to go see Twilight Zone on the big screen? Well, how would you like to have free tickets?
As many of you have probably heard by now, Fathom Events is hosting a one-day event, “The Twilight Zone: A 60th Anniversary Celebration”, on Thursday, November 14, at 7 p.m. It consists of a new documentary short titled “Remembering Rod Serling” and six classic TZ episodes:
- Walking Distance
- Time Enough at Last
- The Invaders
- The Monsters are Due on Maple Street
- Eye of the Beholder
- To Serve Man
I think most fans would agree that, even if you’ve seen these episodes many times before, it would be a unique and fun experience to watch them on the big screen. And now Fathom Events has graciously agreed to offer my blog followers a chance to snag some free tickets! Read the rest of this entry
No matter how disorienting or even frightening a Twilight Zone episode is, we can always comfort ourselves with a simple thought: It’s not real. The stories are all made up.
But that doesn’t mean you won’t encounter some real-life horror stories via the fifth dimension. Take the homicidal wax figures in “The New Exhibit,” all of whom were modeled on actual killers, as I detailed in this blog post last year.
Since then, I’ve had the chance to learn more about one of those killers: Albert W. Hicks. The hatchet-wielding sailor is the subject of a fascinating new book called “The Last Pirate of New York: A Ghost Ship, A Killer, and the Birth of a Gangster Nation“. If you like a mix of true crime and a good detective story, I think you’ll enjoy this book.
Mind you, it’s a macabre tale — at least the crime itself. Just reading about how Hicks hacked up his crew mates (and all just to rob them) is bad enough. To have actually seen the aftermath must have been truly horrifying.
Fortunately, most of the book focuses on the aftermath of the murders: the discovery of the boat and how a dogged detective methodically tracked Hicks down through the streets of 1860’s New York City. We meet his wife and child. We’re there throughout his trial, sentencing, and execution. Read the rest of this entry
Imagine you’re writing Twilight Zone‘s “Little Girl Lost”, and you get to the part where the father literally stumbles into that alternate dimension where his daughter is trapped. How would you describe it?
Sure, you could spell out what you’re imagining in detail. Nothing wrong with that. Or you could trust the Zone production crew and do what Richard Matheson did: His script at that point simply says: “INTERIOR: LIMBO.”
In “The Twilight Zone: Unlocking the Door to a Television Classic”, author Martin Grams relates how TZ’s art director approached producer Buck Houghton, pointed out those two words, and asked, “What’s that supposed to be, Buck?” Houghton’s reply: “That’s up to you.”
His faith was certainly not misplaced. Added Houghton:
Have you ever watched a Twilight Zone, then thought about how it’s even more relevant today than when it first aired?
If so, you’re not alone. Many fans feel that episodes ranging from “The Monsters are Due on Maple Street” to “Number 12 Looks Just Like You” offer more insight into our own time than they did into the early 1960s. We joke about the writers having Mystic Seers and time machines, but what they really had was a deep understanding of human nature — which, of course, never changes, no matter what the era.
But every now and then, you encounter an episode that seems eerily prescient. Case in point: Charles Beaumont’s “Gentlemen, Be Seated.”
Doesn’t sound familiar? I’m not surprised. It was commissioned and written, but never filmed (though it was later made into a TZ radio drama). When producer Bert Granet took another job shortly after Season 5 began, he left behind several assignments, including this Beaumont script. The next producer, unfortunately, didn’t care for “Gentlemen, Be Seated,” so he passed on it.
Which is a shame, really. I read it recently, and believe me, the feeling of déjà vu was particularly strong. Check out the radio summary, and I think you’ll see why: “In the future, humor is outlawed, so James Kinkaid joins a secret underground organization, the Society for the Preservation of Laughter, which exists to keep comedy and satire alive.” Read the rest of this entry
So many memorable stories begin in a writer’s mind with a simple question: “What if … ?”
Ideas can come from anywhere — something you read, something you hear, or something you experience. The difference between the writer and the rest of us is pushing beyond the moment and asking that crucial question.
Richard Matheson, for example, did it with “Little Girl Lost” when his young daughter rolled out of bed in the middle of the night. And Rod Serling did it with “The Fever”. (Spoilers ahead, naturally.)
Twilight Zone fans often call Earl Hamner’s “Stopover in a Quiet Town” the ultimate ad against drunken driving. Well, “The Fever” does the same thing for unchecked gambling.
Every now and then, I’ll see an argument erupt on one of Facebook’s many Twilight Zone fan pages. Not about which episode is best — though feelings can run strong about that, too — but about politics.
Someone will post a meme about something that’s in the news, and the sparks start flying. Because getting political violates the ground rules for these pages, the admins soon delete it. Some people even end up getting thrown out if they’ve been especially rude.
One thing almost always occurs before the dust settles, though. Most people approve of the no-politics rule, but someone will say something like, “Well, Serling was political!” Or “The Twilight Zone was about politics!”
And you know what? They’re right. But when we look at how Serling handled politics on TZ, we see a window into why he was so clever, and why the show’s popularity endures to this day. Read the rest of this entry
We’ve been hearing about the upcoming Twilight Zone reboot for quite a while, and now we have a premiere date: April 1, 2019.
If you’re like most TZ fans, your reaction falls into one of two camps: enthusiasm or dread. I see it almost every time the reboot comes up: Someone either can’t wait, or is sure it’ll be a complete mess — a stain on Rod Serling’s legacy.
I have to admit, I fall somewhere in between. Basically, I’m cautiously optimistic.
I get the enthusiasm of the “pro” crowd. They’re TZ fans, so it’s only natural that the prospect of new episodes excites them. Who wouldn’t want a return trip to the fifth dimension? I like these kinds of stories myself, obviously, and I enjoy other anthologies, so the thought of having new episodes sounds like fun.
But I also sympathize with the “anti” crowd. Look at the first two reboots, they say. Sure, the ’80s one had some good stories, but by and large, it didn’t measure up — and the 2002 TZ was worse. Why should this one work? And come on, there’s only one Rod Serling!
Look, I understand. The challenge of rebooting one of the most beloved TV series of all time — of filling the shoes of the incredibly talented Mr. Serling — should give any sane person pause. Read the rest of this entry