Long before “Jaws”, “Close Encounters of the Third Kind” and “Raiders of the Lost Ark” made him a household name, Steven Spielberg was just another unknown director with hopes for fame and fortune. And the first step toward that goal took him through a shadowy museum known as … Rod Serling’s Night Gallery.
The pilot movie, to be specific. The 21-year-old director would helm the middle segment of three dark-edged tales written by Serling himself. It premiered on November 8, 1969, and was a ratings success, leading to the Night Gallery series a year later.
While Spielberg was a novice, however, his star was anything but. The part of Claudia Menlo, the predatory blind dowager in “Eyes,” was to be played by none other than Joan Crawford.
Crawford, then 65, had already starred in more than 90 feature films, dating back to the silent era. “Directing Joan Crawford was like pitching to Hank Aaron your first time in the game,” Spielberg later remarked. Read the rest of this entry
I have on my shelves a dog-eared paperback edition of Rod Serling’s 1967 book “The Season To Be Wary.” It sits near similarly worn copies of several other books that he either wrote or edited. I’m sure that doesn’t surprise you one bit, but WHY I have them might.
It’s not because I love old books (though I do). It’s because when I first began acquiring copies of Serling’s volumes, they were out of print.
You don’t have to be an obsessive fan like me to be struck by that fact. One of the most famous writers of the 20th century, and his books were less accessible than James Patterson’s? As Serling might say, file that under “L” for “literary crime.”
Enter Rod Serling Books.
Is it really the Fourth of July without the Twilight Zone?
— Tyler Stanfield (@Tylerstan52) July 5, 2014
I couldn’t help retweeting that when the 2014 TZ marathon rolled around on the SyFy channel earlier this month. Talk about a rhetorical question!
There’s no denying that the New Year’s Eve marathon is the more well-known and “attended” event. We get more episodes, yes, but there’s something about the chilly, post-Christmas weather that lends itself nicely to parking your body on the couch and sending your mind to that land of shadow and substance.
But how many Twilight Zone fans think you should over-indulge only ONCE a year? No, we’re only too happy to “Zone out” before, after, and in-between the barbecues and the fireworks.
This year’s marathon ran from 8 a.m. on July 4 until 4 a.m. on July 5. Subtracting four prime-time hours that were inexplicably devoted to wrestling and episodes of “Spartacus” (seriously, SyFy?), we got 16 hours of TZ — 32 episodes. Read the rest of this entry
“This is the way the world ends,” T.S. Eliot wrote in his poem The Hollow Men. “Not with a bang but a whimper.” Surely, though, the same fate should not befall The Twilight Zone?
Alas. 50 years ago today, on June 19, 1964, the last episode of the fifth season aired: “The Bewitchin’ Pool.” Even fans of this episode (and my most recent post showed that I’m not one) wouldn’t call this one a bang. Sorry, but this was no way for Rod Serling’s ground-breaking foray into the fifth dimension to conclude.
But that’s the thing: It wasn’t supposed to end at that point. At least not as far as Serling was concerned. He’d already been mapping out plans for a sixth season, and I can’t help but feel that the way he talked about it suggested an awareness that TZ needed a return to form of sorts after an interesting but uneven Season 5.
On February 5, 1964, at the mid-point of Season 5, Serling wrote to Aldon Schwimmer of Ashley Steiner, the talent agency that represented him, with what he planned to do for the new season. According to author Martin Grams: Read the rest of this entry
“We had some real turkeys, some fair ones, and some shows I’m really proud to have been a part of. I can walk away from this series unbowed.” — Rod Serling
Turkeys? Serling may have been his own harshest critic, but he wasn’t entirely wrong here. Even a series as distinguished as The Twilight Zone, with a hit-to-miss ratio that most TV producers would kill for, had a few misfires along the way.
But which ones missed the mark? It’s entirely subjective. One man’s gem is another man’s junk. Bring up “The Bewitchin’ Pool,” and you’ll hear from people who consider it a delightful fantasy, and others who think it’s a clunker. Many people find “One for the Angels” sweet and charming; others can’t get past the fact that Ed Wynn is hardly convincing as a fast-talking pitchman.
I even spoke to a man once who’d been going through TZ in order and said he had finally hit a dud. Curious, I asked which one. His reply: “The Invaders,” which nearly everyone hails as a Zone classic.
But these debates are part of the fun. It’s interesting to compare notes, as we do with our favorite TZs, and discuss what we don’t like — and why.
Here are the 12 episodes you’ll find at the bottom of my list. Now, I’m not saying every one is an irredeemable time-waster. Even the worst TZ is better than much of what you’ll find on TV; they fall short mainly when measured against TZ’s routine excellence. And there are some aspects of nearly every episode below that I do like.
But for my money, the fifth-dimensional flops include: Read the rest of this entry
I’ve been running this blog for almost three years now, but I’ve never written about anything other than the works of Rod Serling. Until today.
I’m making an exception because I don’t just believe in the past when it comes to high-quality science fiction. I believe in the future as well. And for my money, the series Almost Human is a prime example of that future.
I’m not putting it on a par with The Twilight Zone, which is in a class by itself. But Almost Human is a show that can make you laugh and make you think. Most of all, it’s a show that keeps you entertained.
I’m not going to spend a lot of time excoriating Fox for cancelling it, or making a detailed case for keeping it. I urge you to check it out on Hulu or iTunes or whatever service or site you use to watch TV shows. Read the rest of this entry
Everyone knows the theme music to The Twilight Zone. So well, in fact, that it’s a kind of shorthand “name” for the series itself at times. An odd thing will happen, and someone will go, “De do, de do, de do, de do …”
But while TZ’s musical signature lasted nearly the entire length of the series, the opening credits changed fairly often. The visual elements and Serling’s narration shifted almost from week to week at times, at least during the first three seasons.
Tinkering aside, though, The Twilight Zone featured three main opening credits: the clouds-landscape-starfield montage of Season 1 (the only one with different theme music), the swirling vortex of Seasons 2 and 3, and the shattering window-eyeball-ticking clock images of Seasons 4 and 5.
The question is, which one is the best? Here’s your chance to sound off. Play the videos below in case you need to refresh your memory, and vote. (Note from Anthony: Non-voters risk a trip to the cornfield!) Read the rest of this entry
“I want to be big!” thunders Michael Grady in Rod Serling’s “The Last Night of a Jockey.”
An ironic line, as it turns out. Grady, a horse jockey who’s been blackballed for a variety of racing infractions, is a small man who, by the episode’s end, gets his wish in the most literal way. Hello, Twilight Zone.
And goodbye, Mickey Rooney, the man who brought Grady to raw, sputtering life in a high-octane performance that few other actors would even attempt. He’d become big long before there was a Twilight Zone. Only five feet, two inches tall, Rooney stood considerably higher in the pantheon of golden-era film stars.
A legend? Let’s put it this way: News of Rooney’s death at 93 on April 6, 2014, prompted more than one shocked fan on Twitter to note that it somehow felt too soon. Read the rest of this entry
A perfect blend of recap and analysis from my Gal Friday, and right on the 50th anniversary of “The Masks.” Enjoy!
Originally posted on Seeker of Truth:
Next on Twilight Zone, we move into New Orleans for the Mardi Gras, and we do it with a vengeance. Robert Keith and Milton Selzer appear in a bizarre story of men, masquerades and masks. This is a small shocker to wind up a week, and if it doesn’t send you to a psychiatrist, it’ll send you at least to a mirror. On Twilight Zone next, “The Masks.
Mr. Jason Foster, a tired ancient who on this particular Mardi Gras evening will leave the Earth. But before departing, he has some things to do, some services to perform, some debts to pay – and some justice to mete out. This is New Orleans, Mardi Gras time. It is also the Twilight Zone.
Season 5, Episode 25
Original air date: March 20, 1964
A wealthy old man is about to die. But he won’t die alone. He’ll be surrounded…
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