Think of your favorite Twilight Zone episode. Can you imagine a different approach to the story? Alternate dialogue? How about a new ending? Probably not. The best TZ scripts are so perfect, it seems as if they were conceived exactly as they were filmed.
And yet, even some of our favorite episodes went through some changes along the way. Some are fairly cosmetic, but others … well, consider how Serling originally planned to end “Will the Real Martian Please Stand Up?”
Oh, it was still the same who-is-it, everybody-perishes-but-the-two-aliens story we have now. But as I read the version of the script printed in Volume 9 of “As Timeless As Infinity: The Complete Twilight Zone Scripts of Rod Serling”, I noticed a very interesting change: Serling had planned to show us that the two aliens were actually working together.
The lead-in to that final scene is familiar: the bridge is declared safe, everyone leaves, then Ross (the impatient man late for an alleged meeting in Boston) comes back, and tells Haley, the counterman at the diner, that everyone went into the water. Read the rest of this entry
I’ve written about Twilight Zone’s writers. I’ve written about its directors. So how about TZ’s only writer-director?
I’m referring to Montgomery Pittman. Don’t know him? I can guarantee you know his work. That is, if you’ve heard of a TZ episode called “Will the Real Martian Please Stand Up?”
No, Pittman didn’t write that one. Everyone’s favorite extra-terrestrial whodunit was penned by the incomparable Rod Serling, of course. Pittman also directed one other TZ ep scripted by a writer other than himself (Charles Beaumont’s “Dead Man’s Shoes”).
But the other three episodes he helmed were his own stories — memorable tales that many TZ fans list among their all-time favorites:
Season 3, Episode 1 – September 15, 1961
At a time when TV scripts tended to be pretty talky (many early TV writers, after all, had gotten their start in radio, Serling included), this near-silent look at the aftermath of what appears to have been an all-out nuclear war shows the power of pictures. An American male soldier and a female Russian one somehow manage to put aside their suspicions and find peace amid the rubble.
For anyone who thinks of Charles Bronson only as a violent vigilante in “Death Wish”, or of Elizabeth Montgomery as a button-cute witch in “Bewitched”, this episode is an eye-opener. Pittman showed they were capable of much more.