Come in, everyone. Glad you could make it. Ready to see some lovely, flower-filled meadows? Contemplate a few peaceful, rustic landscapes?
Sorry to hear that. Because you’ve entered … the Night Gallery.
As founder Rod Serling once said, “In this particular salon, we choose our paintings with an eye more towards terror than technique.” That explains the dark, dusty halls. The chilly drafts that whistle down the corridors. The long shadows that offer numerous hiding places for … well, let’s get started. The night won’t last forever.
Perhaps you joined us on our first tour of the Night Gallery. You may have even tagged along for round two. If so, I can understand why you’re glancing around nervously. But remember, fright doesn’t always take a familiar form. Tonight’s selections prove that there is as much to dread in the brightest day as in the darkest night.
So without further ado, here are 10 more sinister selections for your enjoyment (click on any title to watch the episode it’s part of on Hulu): Read the rest of this entry
On Sept. 22, 1971, NBC aired the second episode of Night Gallery’s second season. It was a strong hour for the series, anchored by two very effective tales scripted by Rod Serling: “A Death in the Family” with E.G. Marshall, and “Class of ’99” with Vincent Price.
Each deserves its own blog post, so I’ll use this one to highlight a particular aspect of the Marshall segment. If you haven’t watched it before, try the link below. And if you want to avoid spoilers, stop here, and then come back when you’re done.
Marshall plays an unusual undertaker named Jared Soames. Like many of us, he pities the cast-off members of society who come through his door for a charity funeral. But unlike many of us, he goes a macabre step further. He adopts those who have no family into his “family” — of corpses. Lovingly preserved, they populate a specially kept room in his basement. Read the rest of this entry