Blog Archives

Night Gallery’s “Class of ’99”: Serling’s Chilling Examination of Prejudice

You don’t have to be the world’s greatest writer to pen an effective script about the evils of prejudice. But to do it in a witty, inventive way? To create a story that really makes you think, that stays with you long after it’s over?

Leave that to Rod Serling. Exhibit A: Night Gallery’s “Class of ‘99”. It’s a shame this story isn’t better known, because it’s one of his best works. And I don’t say that lightly.

If you haven’t seen it before, I’d fix that ASAP. It’s not long — only about 18 minutes. If you have the Season 2 DVDs, it’s the third segment of the second episode. Or you can click this link and watch it on NBC.com (with a couple of ad breaks, but at least it’s uncut). Spoilers ahead, as always.

The story begins simply enough. We see college students filing into a classroom — a rather Spartan, amphitheater-type setting, rather than the usual desks — to take their final exam. The professor (Vincent Price, in the first of two Night Gallery roles) cordially wishes them good luck as they field oral questions from him.

The first few deal with the physical sciences. The students are right on top of it, supplying names and formulas with no hesitation. Then a student named Johnson is asked to name four leading experts in the last 300 years in the field of propulsion. He falters, though, on the fourth name. The professor is clearly unimpressed, but before he can ask another student for the answer, Johnson objects. Read the rest of this entry

Séances and Surrealism: Another Night Gallery Tour

Come in, everyone. Glad you could make it. Ready to see some lovely, flower-filled meadows? Contemplate a few peaceful, rustic landscapes?

Sorry to hear that. Because you’ve entered … the Night Gallery.

nightgallery

As founder Rod Serling once said, “In this particular salon, we choose our paintings with an eye more towards terror than technique.” That explains the dark, dusty halls. The chilly drafts that whistle down the corridors. The long shadows that offer numerous hiding places for … well, let’s get started. The night won’t last forever.

Perhaps you joined us on our first tour of the Night Gallery. You may have even tagged along for round two. If so, I can understand why you’re glancing around nervously. But remember, fright doesn’t always take a familiar form. Tonight’s selections prove that there is as much to dread in the brightest day as in the darkest night.

So without further ado, here are 10 more sinister selections for your enjoyment (click on any title to watch the episode it’s part of on Hulu): Read the rest of this entry

“A Death in the Family”

On Sept. 22, 1971, NBC aired the second episode of Night Gallery’s second season. It was a strong hour for the series, anchored by two very effective tales scripted by Rod Serling: “A Death in the Family” with E.G. Marshall, and “Class of ’99” with Vincent Price.

Each deserves its own blog post, so I’ll use this one to highlight a particular aspect of the Marshall segment. If you haven’t watched it before, try the link below. And if you want to avoid spoilers, stop here, and then come back when you’re done.

Marshall plays an unusual undertaker named Jared Soames. Like many of us, he pities the cast-off members of society who come through his door for a charity funeral. But unlike many of us, he goes a macabre step further. He adopts those who have no family into his “family” — of corpses. Lovingly preserved, they populate a specially kept room in his basement. Read the rest of this entry