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Serling’s Re-Zoning Efforts: “Third From The Sun”

No wonder The Twilight Zone is such a classic. Most of the time, you were getting scripts written by the master himself, Rod Serling. And when it wasn’t him, it was often someone like Richard Matheson.

So I hardly think it’s a coincidence that “Third From The Sun” is such a highly rated episode. After all, you have the talents of both men at work here.

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That’s not to say they collaborated in the conventional sense. I mean that, as he did with “And When The Sky Was Opened“, Serling adapted one of Matheson’s short stories.

He took the title and the basic idea — and added all the usual Serling touches to turn it into a Zone classic. As Stephen King later said of what was only the 14th episode of the first season, “It marks the point at which many occasional tuners-in became addicts.”

(Spoilers ahead, naturally. The episode can be watched on Netflix, Hulu and Amazon Prime. It’s also on DVD and Blu-ray.)

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Matheson’s story, which had first appeared in the October 1950 issue of Galaxy, is a marvel of economy. Virtually no extraneous details decorate this taut tale of a man and wife (and neighbors) determined to make their getaway from a world on the brink of all-out war.

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Fritz Weaver: “We Had Such Great Times In Those Days”

The Grim Reaper’s been busier than usual in 2016, alas. And recently, he caught up to someone that every Twilight Zone fan knows well: Fritz Weaver.

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Weaver, of course, had many notable roles throughout his career. But no list of his best work is complete without the villainous Chancellor in “The Obsolete Man” and sympathetic Will Sturka in “Third From The Sun”. The fact that he could so credibly portray a good guy in one episode, and a bad guy in the next, certainly shows his range.

So I thoughtobsolete-man that fans mourning his passing might enjoy some excerpts from an interview that appears in Stewart Stanyard’s “Dimensions Behind the Twilight Zone“:

Q: What was your first experience with The Twilight Zone?

A: I was in New York, and my agent called me and said, “They want you to do a Twilight Zone,” and I said, “Do a what?” Because I hadn’t heard of it – I had been on the stage for about nine years. So I went out to do this “Third From the Sun” program, and it was my first film, in fact. And I had to learn the hard way; I had assumed it was all the same. I mean, acting is acting, right? It didn’t turn out that way. Read the rest of this entry