Rod Serling made a point of saying, even before The Twilight Zone debuted, that he wasn’t interested in settling for “second-best”. And it showed. He hired the best people, then turned them loose on some of the best scripts ever to grace the television medium.
I focused in a recent post on the world-class directors who made their mark on TZ. It was hardly an exhaustive piece, but that was by design. You could fill a book with all the marvelous touches these talented visual storytellers brought to TZ.
So I focused primarily on James Sheldon’s work on “It’s a Good Life,” hoping to come back from time to time to spotlight other directorial highlights. Well, the recent anniversary of Richard Matheson‘s “A World of Difference” made me think of another: the shot that reveals to the lead character that he’s an actor on a movie set. Read the rest of this entry