The usual criticism of Twilight Zone‘s 4th season is familiar to most fans: Stretching the series from a half-hour to an hour meant bloat. Something was lost. Suddenly more added up to less.
Sure, the series still brought us the elements of fantasy that had served it so well throughout the first three seasons: time travel, space travel, horror, and loads of irony. But the extra length mean the writers inevitably drifted more toward drama. Instead of snap, there was sag.
But hey, we’re still talking about the amazing Twilight Zone. And we continued getting stories from Rod Serling, Charles Beaumont, and Richard Matheson. So we may have been denied the classic Zone formula, but we weren’t exactly getting junk.
Freed from the need to sprint to the finish line, the writers had room to explore their themes a bit more deeply. This meant padding at times, but on other occasions, it gave the material a chance to breathe and draw us more deeply into the world of the story. Read the rest of this entry