“These aren’t your ordinary canvases. You don’t find Monet in a mausoleum or van Gogh in a graveyard.” — Rod Serling, introducing an episode of Night Gallery
There’s some serious Serling understatement. The paintings shown before each story on Night Gallery were anything but ordinary. This was no school trip to the Metropolitan Museum of Art, believe me.
Even when the segment was so-so, the canvases were cool. What a treat it would’ve been to take a personal tour, the way our self-described “little ol’ curator” did each week.
That isn’t possible, unfortunately, but you can enjoy the next best thing by getting a copy of the forthcoming book I described in a post last May: “Rod Serling’s Night Gallery: The Art of Darkness”.
I wish I could say this was something you can order for $30 or so on Amazon. I can’t. It’s a bit pricier than that. I’ll tell you that right up front. But considering the incredible amount of work that went into it, as the authors painstakingly tracked down the many paintings that had been lost, to photograph and reproduce them in the highest-quality detail imaginable, it’s hard to deny that the higher cost is justified.
Even if you’re not a big fan of “Rod Serling’s Night Gallery”, you have to admit: The gallery concept was pretty cool.
Watching our host walk among these bizarre canvases and shadowed sculptures as he introduces each story is a great framing device. It’s enough to make you wish there really was such a place.
There isn’t, of course, but I’m happy to tell you that we’ll soon be able to enjoy the next best thing: a glossy, hard-cover volume with high-quality reproductions of every painting that appeared on the show (and even a few that didn’t).
Titled “Rod Serling’s Night Gallery — The Art of Darkness”, it’s coming to us from Scott Skelton and Jim Benson, the same duo who over 20 years ago brought us the definitive behind-the-scenes book on the series, “Rod Serling’s Night Gallery: An After-Hours Tour“. Every work that artists Tom Wright and Jeroslav Gebr created is included. Read the rest of this entry