When we think of The Twilight Zone, we naturally picture alien contact, time travel and other mind-bending occurrences. But if TZ offered little more than weirdness, would it have become such a classic? Would we be eagerly watching marathons decades later?
I don’t think so. A crucial element beats beneath its supernatural surface, one that helped make it a legend: a heartfelt concern for the little people.
Think of Henry Bemis, the mild-mannered bank teller who just wants time to read. Or Al Denton, the alcoholic gunslinger tormented by memories of a lethal shootout. Or Henry Corwin, the sad-sack Santa who longs to help the people in his poverty-stricken neighborhood.
The list goes on, but they all started with a man who made his debut on Playhouse 90 on October 11, 1956: Harlan “Mountain” McClintock.
Mountain takes center stage in “Requiem for a Heavyweight,” a live TV play that earned Rod Serling his second Emmy. “Patterns” had turned him into the proverbial overnight success, but a few middling follow-up dramas left some critics wondering if he was a flash in the pan. “Requiem” proved he was no one-hit wonder. Read the rest of this entry