The Twilight Zone has made such an indelible mark on our culture that people still use the show’s title 50 years later as a shorthand way of describing just about any weird situation.
Notice something strange? Disorienting? Out of the ordinary? It’s like I’m in the … you know.
But the show also had a strong sentimental side, which surfaced early in its five-year run. “One for the Angels,” the second episode, is a genial fantasy about a little girl who is critically wounded, and an old man who is determined to save her.
Sounds like a standard drama. And it might have been simply that if, say, the old man was a doctor researching a difficult cure. Or if the two of them were stranded in some remote area, far from modern medicine. (Not that either one of those scenarios would make a bad story.)
But this is The Twilight Zone. So the old man, Lou Bookman, is a pitchman – someone who sells odds and ends from a suitcase on the sidewalk. And he’s locked in mortal combat with … Mr. Death.
That grim conductor to the other side shows up one day to inform Lou that it’s his time to go. The intended victim naturally protests.
Lou: “Now just a minute. I don’t want to go!” Mr. Death: “No, they never do.”
Sorry, Lou is told, extensions are rare. The only one he might qualify for is “unfinished business of a major nature.” He explains that he’s never made a really big pitch – you know, “one for the angels.” Mr. Death finally relents, whereupon Lou, thinking that he’s literally cheated death, tells him he’ll be waiting a long time.