The first time I saw “The Comedian,” I was astonished.
I knew it was one of a trio of works from the early days of live television drama that had earned Rod Serling his first three Emmys. But that was it. An avid Twilight Zone fan, I had watched the live version of “Patterns” (January 12, 1955), then “Requiem for a Heavyweight” (October 11, 1956), and immediately saw themes in these beautiful plays that would later emerge on his signature series.
Then I watched “The Comedian”.
Think Mickey Rooney is on fire in Twilight Zone‘s “The Last Night of a Jockey”? That episode plays like the warm-up act for his off-the-hook performance in “The Comedian” (February 14, 1957). Rooney is Sammy Hogarth, an old-school comic in the style of Milton Berle. He stages big TV specials packed with skits, monologues and musical numbers — and he makes life for his staff and family a living hell. Read the rest of this entry
“I want to be big!” thunders Michael Grady in Rod Serling’s “The Last Night of a Jockey.”
An ironic line, as it turns out. Grady, a horse jockey who’s been blackballed for a variety of racing infractions, is a small man who, by the episode’s end, gets his wish in the most literal way. Hello, Twilight Zone.
And goodbye, Mickey Rooney, the man who brought Grady to raw, sputtering life in a high-octane performance that few other actors would even attempt. He’d become big long before there was a Twilight Zone. Only five feet, two inches tall, Rooney stood considerably higher in the pantheon of golden-era film stars.
A legend? Let’s put it this way: News of Rooney’s death at 93 on April 6, 2014, prompted more than one shocked fan on Twitter to note that it somehow felt too soon. Read the rest of this entry