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Serling’s Re-Zoning Efforts: “It’s a Good Life”

“It’s an adaptation of what has been called one of the most terrifying modern fantasies ever written.” — Rod Serling on “It’s a Good Life”

One key to being a good editor is knowing what to change — and what to leave alone. Change for the sake of change is a rookie mistake.

Rod Serling knew that well. When he bought the rights to a story for use on The Twilight Zone, he did exactly what was necessary to make it work for television. No more, no less.

Sometimes — as with “And When the Sky Was Opened” and “The Four of Us Are Dying” — that meant making some pretty drastic changes. Other times — with, say, “To Serve Man” — he presented the written story a bit more faithfully.

In the case of Jerome Bixby’s “It’s a Good Life”, it was more than a bit. Bixby had already provided a very visual story, so Serling transferred much of what we find on the page to the screen.

But he did make a few interesting changes. Read the rest of this entry

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