Everyone knows the theme music to The Twilight Zone. So well, in fact, that it’s a kind of shorthand “name” for the series itself at times. An odd thing will happen, and someone will go, “De do, de do, de do, de do …”
But while TZ’s musical signature lasted nearly the entire length of the series, the opening credits changed fairly often. The visual elements and Serling’s narration shifted almost from week to week at times, at least during the first three seasons.
Tinkering aside, though, The Twilight Zone featured three main opening credits: the clouds-landscape-starfield montage of Season 1 (the only one with different theme music), the swirling vortex of Seasons 2 and 3, and the shattering window-eyeball-ticking clock images of Seasons 4 and 5.
The question is, which one is the best? Here’s your chance to sound off. Play the videos below in case you need to refresh your memory, and vote. (Note from Anthony: Non-voters risk a trip to the cornfield!) Read the rest of this entry
It’s one of the most vital aspects of any movie or TV show, and one of the easiest to overlook: the score.
Music can make or break a film. Alfred Hitchcock, for example, had planned for the shower scene in “Psycho” to be silent (save for the sounds of running water and Marion’s screams) … until Bernard Herrmann played his iconic shrieking violins for the Master of Suspense, who agreed that it greatly enhanced its effectiveness.
Herrmann’s talents also made their way to the small screen. The legendary composer wrote scores for seven episodes of The Twilight Zone (and his musical cues were recycled in many others), including one that leads many top 10 lists: Serling’s bittersweet masterpiece “Walking Distance.” Read the rest of this entry