From Tombstones to Extra-Terrestrials: A Closer Look at TZ’s Montgomery Pittman
I’ve written about Twilight Zone’s writers. I’ve written about its directors. So how about TZ’s only writer-director?
I’m referring to Montgomery Pittman. Don’t know him? I can guarantee you know his work. That is, if you’ve heard of a TZ episode called “Will the Real Martian Please Stand Up?”
No, Pittman didn’t write that one. Everyone’s favorite extra-terrestrial whodunit was penned by the incomparable Rod Serling, of course. Pittman also directed one other TZ ep scripted by a writer other than himself (Charles Beaumont’s “Dead Man’s Shoes”).
But the other three episodes he helmed were his own stories — memorable tales that many TZ fans list among their all-time favorites:
Season 3, Episode 1 – September 15, 1961
At a time when TV scripts tended to be pretty talky (many early TV writers, after all, had gotten their start in radio, Serling included), this near-silent look at the aftermath of what appears to have been an all-out nuclear war shows the power of pictures. An American male soldier and a female Russian one somehow manage to put aside their suspicions and find peace amid the rubble.
For anyone who thinks of Charles Bronson only as a violent vigilante in “Death Wish”, or of Elizabeth Montgomery as a button-cute witch in “Bewitched”, this episode is an eye-opener. Pittman showed they were capable of much more.
“Two” marks the first time an episode not written by Serling opened a season of The Twilight Zone. He and producer Buck Houghton must have felt they had something special on their hands. They did. For more on why this episode works so well, check this post.
Season 3, Episode 7 – October 27, 1961
If you thought “Two” had a powerful cast (and does it ever), what can we say about “The Grave”? I mean, Lee Marvin, James Best, Lee Van Cleef, Strother Martin and Stafford Repp? Sure, this ghost story is so absorbing that you might not need such a strong ensemble, but they certainly bring a spectral spark to Pittman’s tale of a bounty hunter named Conny (Marvin) chasing an outlaw named Pinto Sykes to the graveyard itself. (I wrote a post that delved into this episode as well.)
“The Grave” is, essentially, Pittman’s take on a campfire story that had been around for a long time. In fact, it was one I had heard before I ever saw The Twilight Zone. When I was a kid, I had a record called “Scary Spooky Stories”. One of the tracks, “The Dare”, told the story of a boy challenged by his friends to visit — at night, of course — the grave of a mean old man who had threatened to grab anyone who came near his final resting place.
“The Dare” ends with the boy being discovered atop the grave, coat pinned to the cold ground. But Pittman adds a twist that’s pure TZ: evidence that the wind would have kept Conny’s coat well out of the path of the knife. Pinto, it seems, exacted his revenge after all.
THE LAST RITES OF JEFF MYRTLEBANK
Season 3, Episode 23 – February 23, 1962
Let’s face it: A Twilight Zone episode about a man who returns from the dead could have been a rather frightening one. But Serling knew the importance of changing the tone from time to time, and so we got this wonderfully amusing episode from Pittman.
James Best plays Jeff Myrtlebank, a man who startles the residents of his back-woods town by climbing out of the coffin at his own funeral. Happy ending, right? Nope, that’s just the beginning. After all, this is the fifth dimension, so we find Jeff’s family and friends all dreading his approach, convinced he’s not the same man at all — that some wandering spirit has inhabited his body. That would explain his personality shift, wouldn’t it?
Hmm, I wrote about this episode, too. Mr. Pittman is well-covered on this blog!
There’s a good reason for that, I think. He was, like Serling and the other talented writers who graced the series with their work, a born storyteller. As Houghton recalled years later:
Either Earl Hamner or Monty Pittman could start up yarning in their easy colloquial way, with one listener in the group very late for … his wedding, let’s say … and that groom would wind up listening, anxious for the end to come, even annoyed when it did not come quickly, but unable to break away. Either of these two could sit down in my office, start spinning, and in twenty minutes, I knew I had a good episode coming once we wrestled the spoken word down to the reality of the filmic word. Soaring rhetoric had to go, making sure we had a script that the artists of the set and of post-production could bring to life without losing the magic of these men’s original conception.
“Magic” is certainly the word for it. Pittman’s work slots in beautifully among such towering scriptwriters as Charles Beaumont, Richard Matheson, and George Clayton Johnson.
His tenure on TZ, I’m afraid, was far too short. You’ll notice that it all came at the tail end of Season 2 and in the first half of Season 3. He might have done much more, but on June 26, 1962, he died of cancer at only 45. His death, in fact, occurred a mere four months after his last TZ episode aired.
Pittman’s untimely demise marked the end of a career that included not only writing and directing, but acting. You can find his work on many shows, from Maverick to 77 Sunset Strip. But for sheer storytelling prowess and visual flair, I think you’ll be hard-pressed to find more impressive work than the five episodes of The Twilight Zone that bear his mark.
“The good Lord must have had a powerful reason to want to take him so young in life,” the preacher says in “The Last Rites of Jeff Myrtlebank”. He could, alas, have been eulogizing “Monty”. I don’t know what the Lord’s reason was, but I’m glad that Pittman’s imaginative and enjoyable work on The Twilight Zone lives on.
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Posted on 03/31/2017, in Twilight Zone and tagged Charles Beaumont, Dead Man's Shoes, George Clayton Johnson, Montgomery Pittman, Richard Matheson, Rod Serling, The Grave, The Last Rites of Jeff Myrtlebank, Twilight Zone, Two, Will the Real Martian Please Stand Up?. Bookmark the permalink. 11 Comments.